Thus in a Hail Mary play by Coop to save Brand and their mission, he jettisons first TARS into the omnipresent black hole leering over their new solar system, and then himself.
Much like the fate of the other nine explorers who went to planets that the Endurance blew right by, it is a mystery that we will never know the answer to. With Christopher Nolan again on the mind, we revisit the ending to his most ambitious movie to date... Interstellar has completed its journey through the heart of pop culture, and with that landing comes the inevitable fallout of all Christopher Nolan films. Of course, when we've seen it before, its curved walls were sheer concrete, not cornfields and neighborhoods, so it's understandable if you thought Cooper Station was an entirely new location.
At first, Cooper seems to think he's been brought to her because of his own desire to see her again, but TARS helps him understand "they" have constructed this three-dimensional reality for Cooper, allowing him to access all five dimensions in a way he can understand. And that's when things get crazy. Cooper takes his daughter's advice and steals a ship, intending to head back through the wormhole and join Brand on Edmunds' planet.
They both realize this means Cooper will have to give up hope of ever seeing his children back on Earth, as they will likely have died of old age by the time the Endurance exits Gargantua's gravity. After realizing why the library exists and that "they" want Cooper to give Murph the quantum data she needs to save the world, TARS asks how Cooper plans to communicate such complex information from another dimension. Below, we do our best to walk through the bizarre, mind-bending ending of Interstellar. Life on Earth isn't great in Interstellar. After Cooper left them in their grandfather's care when they were children, never to be heard from again, Tom lost all faith in NASA's ability to help them. TARS determines that they made it through Gargantua alive because they were protected by "them," the mysterious beings who constructed the wormhole that allowed the Endurance to travel to this new galaxy in the first place.
Paranoid that the Endurance crew won't go along with his plan once they learn what he's done, Mann attempts to kill Cooper so he can make his getaway. He doesn't tell Brand until the last moment because he knows she would argue with his decision, but even without the possibility of seeing his children again, Cooper is at peace with his probable death. With TARS' help, he gives young Murph the coordinates to the NASA facility that led to his mission on the Endurance in the first place. In order for Plan A to work, Brand needs to figure out how to get the entire human race off of the planet aboard gigantic space stations.
This mission was never about finding another habitable world, at least not fully. Back on Earth, Cooper's now-grown children find themselves at odds.
Looking for answers, NASA turns to the skies, hoping for an answer.
Let us look at it from Murphy's perspective. Also, the space he’s trapped in is actually a physical representation of a bookshelf that watches over an entire lifespan: his daughter Murphy’s to be exact. Still, Cooper knows that his plan is humanity's last chance for survival.
As helpfully relayed via more expository dialogue that’s courtesy of old Murph (played by the invaluable Ellen Burstyn), we know that Brand is alone—as lonely as Dr. Mann was in his desperation—and waiting for Coop in mankind’s new Garden of Eden…we think.
There's a lot of talk throughout Interstellar about the gravitational equation that Professor Brand, and later Murph, spend decades trying to solve. Er spielt in einer dystopischen Zukunft, in der die Menschheit die Erde verlassen muss und ein neues Zuhause auf einem anderen Planeten sucht. Amelia Brand prior to entry into the wormhole. After falling into the black hole, Cooper continues to record what he's seeing and transmits it back to TARS, hoping the additional data might help the scientists back on Earth. He can't rewrite time any more than he can stop being three-dimensional. Reminded of her love for him, she finds the watch, and voila, things are suddenly starting to look up for humanity. So when he released his time-slipping space epic, Interstellar — a tale about humanity's efforts to escape a dying Earth for a new home in the stars — it shouldn't have come as a surprise when it was anything but straightforward. In order to keep anyone from discovering that he'd falsified his survey data until after his escape, Mann sabotaged and booby-trapped his robot that had been storing the fake data. Convinced her brother is making a terrible mistake, Murph sets fire to Tom's corn fields, knowing that since Tom relies on his crops for survival, he'll be forced to drive out to try to extinguish the blaze. Unfortunately, it's soon all revealed to be a ruse.
Just as "they" brought Cooper to a library and allowed him to communicate with his daughter and save humanity, "they" also brought him back back to safety once he was finished with his mission. Amelia Brand prior to entry into the wormhole. While he waits for Murph to arrive, Cooper tours the station, moves into the replica of his old house on Earth, and repairs TARS. This could mean that our very notions of cause and effect aren't even true, and that our belief that cause must predate effect is actually incorrect. The way that Murph sends her father away, much like a parent pushing a child out of the nest in a nice bit of role reversal, may suggest there is some sort of disagreement amongst humans (as there always is) about where we could be headed next.
The actual ending of Interstellar is a fabulous concession to sentiment and familial good tidings on the part of Nolan when Cooper is released from his daughter’s timeline (and his own) somewhere by the rings of Saturn about a century after he left our solar system.
But Murph's involvement in the story is far from being over. The purpose?
Since the beginning of the film, who "they" are has been a mystery.
Directed by Christopher Nolan, Interstellar is a fantastic tale of time, space, and love. So although Cooper Station looks very different by the end of the film, we actually see Cooper tour the same facility twice — once on Earth, and once in space. https://interstellarfilm.fandom.com/wiki/Amelia_Brand?oldid=11126. According to Mann, as our brains grasp at survival, we'll experience a vision of the thing we most desire to see again. Perhaps, in the world of Interstellar, time isn't a line at all, and our fervent belief that cause and effect can only move in one direction simply highlights how much we don't understand. Better still, TARS reveals that he's disabled the automatic docking procedure for the shuttles, which means that even though Mann has stolen Cooper's shuttle, he's unable to dock with the Endurance.
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