His last album, Dot Com Blues (Blue Thumb/Verve, 2000) was recorded with B. 2005.

WATERFRONT sounds like a completely different tune as Jimmy fools around with it, and MONKISH is definitely that, though with Smith playing with tongue very much in cheek. 17 more photos, Javascript is required to view shouts on this page. bill at the Ornstein School of Music. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist.

[4] He also recorded with Quincy Jones, Frank Sinatra, Michael Jackson (he can be heard on the title track of the Bad album), Dee Dee Bridgewater, and Joey DeFrancesco.

I like to put the music on and turn off most of the lights and feel as if I'm there. Add image Like many other great jazz musicians, Mr. Smith insisted that the key to finding his own sound was through studying musicians who did not play his instrument. There's a problem loading this menu right now. Jimmy Smith ruled the Hammond organ in the ’50s and ’60s. 5 more photos, Add image Jimmy Smith (1925–2005) was a jazz musician whose instrument was the Hammond B-3 … Jimmy Smith was an early Blue Note staple, almost always recording with a trio at first.

Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.

He began teaching himself to play the piano. Smith influenced a constellation of jazz organists, including Jimmy McGriff, Brother Jack McDuff, Don Patterson, Richard "Groove" Holmes, Joey DeFrancesco, Tony Monaco and Larry Goldings, as well as rock keyboardists such as Jon Lord, Brian Auger and Keith Emerson.

"While others think of the organ as a full orchestra," he wrote in a short piece for The Hammond Times in 1964, "I think of it as a horn. James Oscar Smith (December 8, 1925 or 1928[1] – February 8, 2005)[2] was an American jazz musician whose albums often charted on Billboard magazine. Perhaps it's just my ears but the Hammond organ would gain a warmer less buzzing-bee sound in just a few years after these 1956 recordings were made.

Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. His Blue Note sessions from 1956 to 1963 were extremely influential and many, like 1960’s Back at the Chicken Shack and 1958 ‘s The Sermon, are classics. Leave feedback. He was 76. Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example. (the hit from the 1960s) with his protégé, Joey DeFrancesco, a then 28-year-old organist. Van Gelder Studio, Englewood Cliffs, NJ, January 27, 1964. Other albums from this period include Blue Bash! Holle Thee Maxwell, then known as Holly Maxwell, was Smith's vocalist for two years in the late 1970s. He began exploring the Hammond organ in 1951.

Jimmy Smith, who made the Hammond organ one of the most popular sounds in jazz beginning in the mid-1950's, died on Tuesday at his home in … We don’t have any upcoming events for this artist right now. James Oscar Smith was born in Norristown, Pennsylvania on December 8, 1925 (some sources cite his birth year as 1928). 1, A New Sound, A New Star: Jimmy Smith At the Organ, Vol. Read Full Biography. Partly through the agency of Babs Gonzalez, the singer and radio disc jockey, Mr. Smith was signed to the Blue Note label, making his first albums for the label in 1956; some well-received gigs that year at the Cafe Bohemia in New York heightened the excitement about his new sound. There was an error retrieving your Wish Lists. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. [9] However, before the tour began, Smith died on February 8, 2005 at his Scottsdale home where he was found by his manager, Robert Clayton. [5] After a stint in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Born James Oscar Smith on 8th December 1925 in Norristown, Pennsylvania, USA. Jimmy Smith: Jimmy Smith At The Organ, Volume 1 (Album) 17 versions : Blue Note: BLP 1551: US: 1957: Vendre cette version: 17 versions : BLP 1548: Jimmy Smith : A Date With Jimmy Smith, Vol. Born in 1928, Mr. Smith grew up in a musical family in Norristown, Pa., near Philadelphia; by his early teens he was competently playing stride piano and performing as a dancer in a team with his father, a day-laboring plasterer who also played piano at night. Jimmy is in his prime on this performance. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. 1: Blue Note / EMI / Toshiba 1958 : A New Sound, A New Star: Jimmy Smith at the Organ, Vol. Unable to add item to List. By 1955 -- which coincidentally was the year Hammond introduced its most popular model, the B-3 -- he had an organ trio with a new sound that would thereafter become the model for groups in what became known as "organ rooms," the urban bars up and down the East Coast specializing in precisely the kind of blues-oriented, swinging, funky music that Mr. Smith epitomized. Further big band collaborations followed, most successfully with Lalo Schifrin for The Cat and guitarist Wes Montgomery, with whom he recorded two albums: The Dynamic Duo and Further Adventures of Jimmy and Wes. Go directly to shout page. [4] His first album, Bashin', sold well and for the first time set Smith with a big band, led by Oliver Nelson. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.

[3], There is confusion about Smith's birth year, with various sources citing either 1925 or 1928.

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Please try again. Jimmy Smith, organ; Kenny Burrell, guitar; George Duvivier, bass; Grady Tate, drums; unidentified orchestra, Claus Ogerman, arranger, conductor. Jimmy Smith, Jazz Organist and Pioneer, Is Dead at 76.

Audio CD, Original recording remastered, August 2, 2005, Reviewed in the United States on December 19, 2010.

A must have for all us Jimmy Smith fans. He switched to organ permanently in 1954 after hearing Wild Bill Davis.

When he finished his service in 1947, he played professionally and studied music for two years on the G.I.

Before Jimmy Smith, the electric organ had been nearly a novelty in jazz; it was he who made it an important instrument in the genre and influenced nearly every subsequent notable organist in jazz and rock, including Jimmy McGriff, Jack McDuff, Larry Young, Shirley Scott, Al Kooper and Joey DeFrancesco.

He made many popular records for Blue Note and Verve, among them "Groovin' at Small's Paradise," "The Cat" (with the arranger Lalo Schifrin), a few records with the guitarist Wes Montgomery and in 1965 his vocal version of "Got My Mojo Workin'," arranged by Oliver Nelson. The drawbar setting most commonly associated with Smith is to pull out the first three drawbars on the "B" preset on the top manual of the organ, with added harmonic percussion on the 3rd harmonic.

Please try again. James Oscar Smith (December 8, 1925 or 1928 – February 8, 2005) was an American jazz musician whose albums often charted on Billboard magazine. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Blue Note. B. A New Sound, A New Star: Jimmy Smith At the Organ, Vol. In 1952, or perhaps 1953, he met Wild Bill Davis, the organ player who pioneered the organ-trio format, at a club. Now that Jimmy Smith have set the groundbreaking standards for the Hammond B-3 Organ and even successfully reinvented the jazz organ in a modern jazz setting at the same time, The Incredible Jimmy Smith would emphasize his template for the creative genius and keyboard stylings toward another level in world class greatness.

Jimmy Smith’s Career. A pioneer of soul-jazz who revolutionized the Hammond organ, turning it into one of the most incisive, dynamic jazz instruments of its time. A pioneer of soul-jazz who revolutionized the Hammond organ, turning it into one of the most incisive, dynamic jazz instruments of its time. He also made heavy use of the B-3's "percussion" sound, a circuit controlled by one of its drawbar switches that gives it a leaner tone, closer to that of a piano. By 1955 he was on his way to making his new organ trio sound pervasive. FIDDLIN' THE MINORS finds Jimmy almost on fire as he works his way through the riff tune, and I CAN'T GIVE YOU ANYTHING BUT LOVE has a solid medium groove going in it. Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.

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