“We were this close to each other.”, Back at the TV, Spencer checks in again on the World Cup game, a third-place match between the Netherlands and Brazil, whose performance inspires some snarky comments from Tweedy’s band.

Torrential rain has forced the cancellation of his hometown show, so he and the band that’s been backing him on a run of solo dates have retreated to the rambling loft, a combination rehearsal space, recording studio and clubhouse.

“The trip is Sammy’s graduation present, right?” asks Spencer, seated at a red table in the studio kitchen. A He has an amazing voice and has always been able to pick up a song and sing it since he was a little kid. “And her point is, you have to be able to get so deeply inside the process to disappear.” You have to be able to push away the outside world, the critics, the fans, the noise. “He’s playing basically with the same musicians, and I think if you keep going like that, people gravitate toward you.”.

She was just intent on his going to college.

But he does so in a way that ingratiates himself with you. But they’re trying to make clear that this is a Jeff Tweedy project, not a Tweedy the band project. A lot of my musical tastes come from him because he’s introduced me to so much music in my life. “Not yet,” Spencer says.

“A lot of things he addresses in his songs are timeless,” says Jim O’Rourke, a former member of Sonic Youth, who mixed Yankee. Since March, Tweedy—whose résumé includes Grammy-winning record producer and songwriter, and best-selling memoirist, and who, at 53, is a wise elder of indie rock—has been kicking around his home, on the north side of Chicago, where he lives with his wife of twenty-five years, Susie, and their two adult sons, Spencer and Sammy. He spent three and a half days last week recording the audiobook here at the loft, before finishing up some bits this morning. He leans over to his 18-year-old son, who’s sitting on an end table beside him. You can also contact the Department of Higher Education and enquire about a college’s credentials. It’s Sammy, who apparently just got soaked in a rainstorm. Jeff, seated across from him, replies, “It’s hard to tell what his presents are and what are just the perks of being a cool kid in a fairly well-off family.” Mostly, though, Jeff says, the Seattle vacation is about trying to dole out equal amounts of quality time with his kids. “Rock & roll has always had this idea that there’s some kind of generational warfare,” he says, looking at his son. Rock & roll was built and survives, however limply, on youth culture, so at his age “you start to feel a little bit more other than what’s happening.”. Or at least it would weigh 800 pounds if it were real and not some kind of horror-house prop. In the kitchen, after he cases the harp guitar, his Apple watch suddenly lights up, and he digs his phone from his pocket. His attire today: an El Paso Chihuahuas baseball hat, dark jeans, an olive jacket, thick-rimmed glasses. “Don’t worry about it, Dad.” Dad cackles. From what I can tell, it involves—bear with me—a dorky Tweedy with a bad, short haircut who walks by a salon; sees a cool, long-haired shadow Tweedy inside; enters; and has his hair magically lengthened—a reverse haircut, basically. Mark shrugs and Spencer frowns. They should definitely do that. “It had a 50 on it last year for my birthday,” Tweedy says of the gorilla.

He writes earnest, country-tinged pop music, with lyrics that are as opaque as they are beautiful, such as when he observes that “our love is all of God’s money” or suggests “Let’s forget about the tongue-tied lightning / Let’s undress just like cross-eyed strangers.”, eval(ez_write_tag([[300,250],'mensjournal_com-incontent_5','ezslot_6',120,'0','0']));Fittingly, the novelist and short-story writer George Saunders recently called Tweedy “our great, wry, American consolation poet,” and R.E.M.’s Peter Buck has said he’s “one of the best songwriters of his generation.” If nothing else, he has a freakish ability to coax emotion from grown-ass men. “My dad’s fun to play music with.” As far as summer jobs go, Spencer’s sounds like a pretty good one. Two Twin Cities radio personalities have lost their jobs, Minnesota 2020 voter's guide: What you need to know to cast your ballot, 1.8M absentee ballots returned in Minn.; feds send monitors, The best virtual entertainment this week: The Current's Sounds Like Home fest, 24 Hour Comedy Festival, Jonatha Brooke, Minnesota Museum of American Art is homeless no longer, Hornheads jazz group creates unique sound, Justin Bieber investigated for reckless driving in gated community, Irish hitmaker Hozier talks 'Church' and his state of mind. JEFF TWEEDY THINKS THE ENDING IS ALL WRONG. “The prognosis is good,” says Tweedy.

There’s something amiss with the fuzzy rock backing track that plays beneath the credits.

He is one of the main protagonists of Supernatural. “The problem is there’s so much to worry about with making sure all your friends and family get into the show, so there’s a part of me that’s OK with getting the day off. “See, I’m still needed a little bit,” he says. “It’s for Defense of the Ancients 2 – is a spectator sport now,” explains Jeff with an air of disbelief. “If you lose too much, you get sent down to a lower league.”, This idea sparks something in the Tweedys. The space, stacked to the ceiling with vintage amps, drums, and guitars, doubles as the band’s studio and rehearsal space, and it’s the closest thing to an office that Tweedy, who began releasing records with his first band, Uncle Tupelo, in 1990, has ever known. eval(ez_write_tag([[250,250],'mensjournal_com-incontent_9','ezslot_3',124,'0','0'])); With Yankee, Tweedy pulled apart and rethreaded American music, incorporating experimental textures with traditional song structures, for an effect The New Yorker called “brilliant, battered.” The album was originally slated for release on September 11, 2001, and Tweedy’s lyrics, listeners quickly noticed, were spookily prescient, with references to American flags turning to ash, tall buildings shaking and scraping together, and voices singing sad songs. Because of this, he has subverted expectations, delivering knotty—and not entirely satisfying—albums, such as 2015’s Star Wars, that, to the disappointment of some fans and critics, only casually resemble Wilco’s early work. “My comfort level with being vulnerable is probably my superpower,” he writes in Let’s Go. Later, in the control room, Tweedy asks Schick to play back an unreleased song that Team Tweedy offered, or wanted to offer, Mojo, the British music mag, for inclusion on a CD sampler. My mom doesn’t like to hear it, but I really hope this isn’t the last time I get to go on tour with a band. I was crying in front of these people.” He tried to continue but made it through only another song or two. Maybe the wrong song file was emailed to Mojo or something? “I think it’s healthier now, where both sides don’t seem to be as entrenched.”, So maybe that means there’s a little more leeway for the younger folks? He suffers migraines still, but he hasn’t relapsed to address the pain, no matter how bad it gets. Spencer Tweedy said mom Susan’s cancer fight influenced dad Jeff’s lyrics on the double album “Sukierae.”, Sounds Like Home Friday-Sunday: Don’t feel guilty if you can’t afford a virtual tip for this one: The musicians are actually getting paid. “The other day,” says the son to the father, “Mom said, ‘Spencer, I want you to know that after the shows you have my permission to drink a beer. We have a lot of similar sensibilities.

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